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Universal Synthesizer Interface Vol II

by Kristen Roos

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  • Record/Vinyl + Digital Album

    Limited to 500 copies. Remastered for vinyl by Noah Mintz.

    Includes unlimited streaming of Universal Synthesizer Interface Vol II via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    edition of 500  72 remaining
    Purchasable with gift card

      $30 CAD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 CAD  or more

     

1.
Diablo I 07:21
2.
3.
Diablo II 14:29
4.
Diablo III 09:51
5.
6.
Diablo IV 10:26

about

In 2019, Vancouver artist Kristen Roos came across a floppy disk for sale on eBay containing the Commodore Amiga version of Laurie Spiegel's 'Music Mouse'. This was one of the first intelligent instruments for personal computers, created by Spiegel in 1985 as an interactive and playable MIDI sequencer for the 68k era of Macintosh computers. Curious, he bid on the item and ended up winning it for a few dollars. Upon investigation, the simple and intuitive nature of its interface appealed to him, especially in comparison to the dense ‘menus within menus’ design of contemporary DAWs, and he soon began to seek out other programs from this ‘first wave’ of music software development.

The result of over a year of study, experimentation, and creation (often involving direct correspondence with the software creators themselves), 'Universal Synthesizer Interface' is Roos’s homage to this early era of algorithmic music making.

Vol II sees Roos narrowing his focus down to two of his personal favorites: Laurie Spiegel’s 'Music Mouse' and Frank Balde’s 'Diablo.' One of the first ‘intelligent instruments’ ever created for the personal computer, Speigel’s 'Music Mouse' was, for many people in the 1980s, a remarkably intuitive introduction to the world of MIDI sequencing. Mouse position controls the placement and parameters of MIDI data, allowing the user to quickly select and alter the scale, chord voicing and volume of their work on the fly. The keyboard is used as a control panel, with various shortcuts outlined on a digital ‘cheat sheet’ provided with the software. While the program is limited to outputting four separate MIDI notes (which can then be ordered into short musical phrases or loops) within these constraints lies an enormous capacity for musical variation and complexity. Roos plays the software with a light touch, maintaining a delicate balance between playfulness and precision.

Originally released on cassette through Hotham Sound.

credits

released June 30, 2023

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Kristen Roos Vancouver, British Columbia

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